Showing posts with label synopsis. Show all posts
Showing posts with label synopsis. Show all posts

Tuesday, January 21, 2014

Synopsis

The most dreaded word in a writer’s vocabulary. Except maybe for pitch. But it’s definitely above query.

The thing about a synopsis is, it can’t just be a play-by-play of the book, because that would be boring. It has to be as interesting as your writing so any potential readers will know why the book is slap-across-the-face awesome. I’m…I’m not sure where I was going with that.

Type “writing a synopsis for a novel” in your search engine, and you’ll get twenty five million results (give or take a million). Most of the ones I’ve read give guidelines along the lines of “Who is the main character?” or “Describe what forces your main character to change.” Yes, they expect us to come up with something interesting with dull prompts like that. I wonder how they’d react if I said “I force the main character to change by writing the novel.”

Probably like this.
And then we have the ones that advise going through the novel, writing down everything important that happens, and turning that into a synopsis. It sounds like good advice, but in practice, not so useful because then you have a bunch of sentences and no idea how to connect them into a coherent, engaging piece of writing.

Okay, so the guidelines are as useful as someone slamming you upside the head with a wooden board. No fear. There actually are some good ones out there. Susan Dennard did an amazing article on synopses at Publishing Crawl. First she gives some basic info, then some reminders about what is especially needed for a synopsis (only three named characters, tell the ending), then she gives an actual example of how to write one. She uses Star Wars as her basis, making it easy to follow since pretty much everyone has seen that movie. Instead of frustrating, impossible to define questions, she asks for fill in the blanks for things like “Protagonist Intro” and “Winning seems imminent, but…”. In short, it’s not what people want. It’s how to do it.

Anyway, if you want to know how to do a synopsis, go here. The other important piece of advice I remember (though I don’t remember where I got it from): get beta readers for your synopsis, too. From people who haven’t read your book, so you know if it’s enticing and informative.

That’s all the wisdom* I have. What are your thoughts on synopses? Any advice?


*And by wisdom, I mean stuff I learned from other people’s blogs.

Monday, May 9, 2011

Websites for Writers


This is one of the best synopsis guides I’ve ever seen. Direct your thanks to Susan Dennard at Let the Words Flow.

In all fairness, the rest of the posts are amazing, too. But this one…awesome. Plain and simple. It crystalized everything about writing a synopsis, first breaking it down into pieces and then showing the completed version.

Writers? I highly suggest you bookmark this link. Go on. I’ll wait.

Done it? Good.

Saturday, February 5, 2011

Not Just For Super Heroes

Today’s writing website is Superhero Nation, B. Mac’s website that provides information on writing super heroes and comics, but has a slew of excellent resources for any writer.

One of my favorite parts is the interactive quiz called “Is Your Manuscript Dead on Arrival?” In about five minutes, it shows you if your MS has any red flags that might turn off an agent/editor. It consists of questions like are characters being hidden royalty/family/part of a great prophecy, is the dialogue like reading a transcript, and do you overuse made up words/obscenities.

The site even has a post on writing queries called 16 Reasons Your Manuscript Got Rejected Before Page 1. Besides listing the usual be courteous, use-the-name-of-the-agent type advice, he explains why insisting your book is the next Harry Potter is wrong and what details are important--like the actual plot, not just a fanciful description of the world you created. Confused about credentials? He tells you what’s important and what will make an agent think “Like that matters.”

And this is only a small sampling of what the site has to offer. There are articles on avoiding dialogue mistakes, writing the dreaded query and synopsis, writing action scenes (very useful for me), how to write comedy, and writing male characters--super helpful for me as a female writer. Learning about the subtle differences between how males and females think really got me into my MC's head and helped me create realistic sixteen-year old. 

In all, Superhero Nation is a a great resource. Check it out. With all they have, you're bound to find something. I know I'm going back as soon as I hit Publish Post.